Hindola-Malkauns (2008)

Hindola-Malkauns (2008)

Features Pravin Godkhindi (Bansuri) and Anoor Ananthakrishna Sharma’s “Laya Lahiri” (percussion Ensemble)

Genre:

Indian classical/instrumental/contemporary

Intro:

Ragas (musical scales) and talas (rhythms) are the mainstay of classical Indian music. When rendered as free improvisation and with embellishments of swaras (notes), ragas represents colors and emotions. Structured improvisation and melodies are set to talas. In this project, we present in detail, various aspects of two popular ragas, Hindola of Carnatic tradition and Malkauns of Hindustani tradition. These two ragas are counterpart of each other in the two musical traditions.

CD 1

  • 01 – Veena Raga 1

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  • 02 – Flute Raga

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  • 03 – Violin Raga

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  • 04 – Bansuri Raga

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  • 05 – Piano

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  • 06 – Veena Raga 2

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  • 07 – Veena Tana 1

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  • 08 – Veena Tana 2

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  • 09 – Bansuri Jod Jala

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    • CD 2

  • 10 – Carnatic Hindustani 1

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  • 11 – Carnatic Hindustani 2

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  • 12 – Flute Solo

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  • 13 – Violin Solo

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  • 14 – Bansuri Solo

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  • 15 – Veena Solo

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  • 16 – Contemporary 1

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  • 17 – Contemporary 2

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  • 18 – Laya Lahiri

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    • Music is composed and arranged by Dr. Krishna Raghavendra

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    Musicians

    Carnatic:
    Dr. Krishna Raghavendra-Veena, M.K.Pranesh-Flute and Charulatha Ramanujam-Violin

    Hindustani:
    Pravin Godkhindi-Bansuri

    Western:
    Dave King-Bass and Sangeeth Thomas-Keyboards

    Percussion:
    Anoor Ananthakrishna Sharma-Mridangam, Tavil and Konnakol, S.S.Venugopal Raju-Tabla, Amrit N-Khanjira, Giridhar Udupa-Ghatam and Arun Kumar-Morsing, Tala, Western Drums, Rhythm Pads and Tambourine Effects